

Whether or not I was fed a line on this, it worked. The result being a stimulation of creative centers. These frequencies can excite parts of the brain that very little, outside of music, can engage. A vinyl record, unlimited by the same restraints as a CD or a digital reproduction, contains a greater range of fidelity: higher highs and lower lows. While I cannot find the specific study indicating this, the science makes logical sense. What I was told by my professor was that a recent study had examined the working conditions of writers, musicians, sports figures and so on, indicating that many creators worked in a space with a record player, and even if they couldn’t pinpoint why, they found creation easier with some wax spinning. It’s an understatement to say 91 percent makes a big difference. Digital music usually strips a shocking 91 percent of the sonic information from an album. The same variation could be easily heard between a CD and a vinyl record.

But this was not just present in internet music. Putting that up against, say, an early Eagles record would show the sensory potential that existed between the dynamics, range, and tone of a rock album versus a download.
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U2 had released How To Dismantle An Atomic Bomb, an album mixed to sound best at high compression rates, as a tie-in to their branded iPod. My recording instruction could not have been better aligned for a time to turn me against the digital. What I had contained the words and the music and I did not know there could be more than that. As someone raised amongst early MP3s and Napster, it was difficult to notice the difference between these files and CDs because I’d rarely heard the original recordings. Digital music is crunched to a bit-rate that eliminates a number of frequencies and their quality in order to make their storage smaller and more manageable. Then I was told that vinyl records make you smarter and more creative and that this was proved by neuroscience. I mostly dismissed the idea, since I’d spent the last five years assembling a digital music collection that made me the envy of my friends. So why is 2014 shaping up to be the best year ever for vinyl music?Īt recording studio school, I was told that vinyl records sounded better. Some analysts are looking to place the blame upon vinyl records, whose sales are up 32 percent this year, and (according to Amazon) up 745 percent since 2008. CD sales declined 15 percent last year and digital music took its first hit in a decade, while several of the larger pirate transfer sites were wiped from the Internet.
